Books
POETRY and Poetry Chapbooks: Drafts, other poetry
DRAFTS
Drafts. Two volumes. Mineapolis: Coffee House Press, 2025. (forthcoming April 2025)
Surge: Drafts 96-114. Norfolk, U.K.: Salt Publishing, 2013.
Draft 108: Ballad and Gloss. Houston: Texas, Little Red Leaves Textile Editions, 2012.
Draft 96: Velocity. Houston: Texas, Little Red Leaves Textile Editions, 2011.
Pitch: Drafts 77-95. London: Salt Publishing, 2010.
Torques: Drafts 58-76. Cambridge, England: Salt Publishing, 2007.
DRAFTS. Drafts 39-57, Pledge, with Draft unnumbered: Précis. Cambridge, England: Salt Publishing, 2004.
Draft, unnumbered: Précis. Vancouver: Nomados, 2003.
Drafts 1-38, Toll. Middletown, CT: Wesleyan University Press, 2001.
Renga: Draft 32. Philadelphia: Beautiful Swimmer Press, 1998.
Drafts 15-XXX, The Fold. Elmwood, CT: Potes & Poets, 1997.
Drafts (3-14). Elmwood, CT.: Potes & Poets Press, 1991.
Draft X: Letters. Philadelphia: Singing Horse Press, 1991.
Tabula Rosa. Elmwood, CT: Potes & Poets Press, 1987. Contains the first two Drafts.
Bibliographic note: The long poem project Drafts began in 1986. It was folded up in 2012. Potes & Poets Press first published Drafts, up to Draft XXX. In 2001, Wesleyan put the first thirty-eight Drafts in print in Drafts 1-38: Toll. All susequent drafts (Drafts 39-114) were published by Salt Publishing in England in several books, titled Pledge, Torques, Pitch, and Surge. During this whole period, several chapbooks of Drafts were also published . The Selected Poems, 1980-2020 by CHAX Press contains a strong selection of Drafts. The complete Drafts is to be publishd in 2025, with Coffee House Press.This is 114 works, with one unnumbered (thus 114/115 works.)
Other poetry, books and chapbooks
Selected Poems, 1980-2020. Tucson: CHAX Press, 2022.
Poesis. Houston, Texas: Little Red Leaves Textile Series, 2016.
Interstices. Boston: Subpress, 2014.
Tabula Rosa. Elmwood, CT: Potes & Poets Press, 1987.
Gypsy/Moth. Oakland, CA: Coincidence Press, 1984.
Wells. New York: Montemora, 1980.
Traces, with Days (a grouping of work from 2015 onward tracking contemporary life)
Daykeeping. Chicago: Selva Oscura, 2023.
Poetic Realism. Buffalo: BlazeVOX, 2021.
Late Work. NY: Black Square Editions, 2020.
Around the Day in 80 Worlds. Buffalo: BlazeVOX, 2018.
Days and Works. Boise: Idaho: Ahsahta Press, 2017.
Graphic Novella. West Lima, Wisconsin: Xexoxial Editions, 2015
LITERARY CRITICISM
A Long Essay on the Long Poem. Tuscaloosa: University of Alabama Press, 2023.
Purple Passages: Pound, Eliot, Zukofsky, Olson, Creeley, and the Ends of Patriarchal Poetry. Iowa City: University of Iowa Press, 2012.
The Pink Guitar: Writing as Feminist Practice. Tuscaloosa: University of Alabama Press, 2006. Republication of the 1990 book.
Blue Studios: Poetry and Its Cultural Work. Tuscaloosa: University of Alabama Press, 2006.
Genders, Races and Religious Cultures in Modern American Poetry, 1908-1934. Cambridge University Press, 2001.
The Pink Guitar: Writing as Feminist Practice. New York: Routledge, 1990.
gious Cultures in Modern American Poetry, 1908-1934. Cambridge University Press, 2001.
H.D: The Career of that Struggle. London: Harvester and Bloomington: Indiana University Press, 1986.
Writing Beyond the Ending: Narrative Strategies of Twentieth-Century Women Writers. Bloomington: Indiana University Press, 1985
EDITED and CO-EDITED BOOKS
The Oppens Remembered: Poetry, Politics, and Friendship. Rachel Blau DuPlessis, ed. Albuqerque: University of New Mexico Press, 2015.
The Feminist Memoir Project: Voices from Women’s Liberation. Rachel Blau DuPlessis and Ann Snitow, eds. New Brunswick: Rutgers University Press, 2007. Reprint with preface to the new edition.
The Objectivist Nexus: Essays in Cultural Poetics. Rachel Blau DuPlessis and Peter Quartermain, eds. Tuscaloosa: The University of Alabama Press. 1999.
The Feminist Memoir Project: Voices from Women’s Liberation. Rachel Blau DuPlessis and Ann Snitow, eds. New York: Three Rivers Press of Crown Publishing Group, November 1998, 2nd printing March 1999.
The Selected Letters of George Oppen. Rachel Blau DuPlessis, ed. Durham, N.C.: Duke University Press, 1990.
Signets: Reading H.D. Susan Stanford Friedman and DuPlessis, eds. Madison: The University of Wisconsin Press, 1990.
TRANSLATIONS of RBD, Books and Periodical Appearances.
Hерновики 1-38, Гул. Russian translation of Drafts 1-38, Toll. Translated by Alexander Ulanov et al. Moscow: Polyphem, 2023.
borrador 91 y 104: proverbios y el libro. Trans. by Macarena Urzúa. Santiago de Chile: Cuadro de Tiza, 2022.
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“Das Unheimlichste in Freien: Im Licht vom Oppen.” German translation, Stefan Ripplinger of “Uncannily in the Open: In Light of Oppen,” from Blue Studios. Schreibheft für Literature, Nr. 99 (August 2022): 85-96. “Neue Gedichte.” Translated by Stefan Ripplinger.
Mütze 29 (February 2021): 1466-1477. (Four poems from Poetic Realism) https://indd.adobe.com/view/c2f0cde2-ee13-4e88-a611-33b34d227bab
“Pater-Tochter” [10 pp. of essay in The Pink Guitar, “Pater-Daughter”], trans. Stefan Ripplinger, Schreibheft Zeitschrit für Literatur no. 97 (August 2021):141-151.
Рэйчел Блау ДюПлесси. Черновик 3: От (перевод с английского Александра Уланова) [Draft 3: Of, translated by Alexnder Ulanov ].[published in 2020] https://www.flagi.media/piece/99
Selected Poems, Poesie scelte, 1978-2015. Translated by Anny Ballardini. Verona, Italy: QuiEdit, 2017.
Brouillons. Translated by Jean-Paul Auxeméry. Paris: José Corti, 2013.
Draft 111: Arte Povera. Translated by Renata Morresi. Milano: Archipelago Edizioni, 2013.
Dieci Bozze. Translated by Renata Morresi. Macerata, Italy, Vydia editore, 2013
Essais: Quatre Poèmes. Traduction collective, Royaumont, revue et complétée par Jean-Paul Auxeméry. Bar-le-Duc: Un Bureau sur l’Atlantique, Editions Créaphis, 1996.
POETRY IN ANTHOLOGIES
“Flower,” “Megaliths,” translated into Russian by Anastasiya Babicheva and “Draft 5: Gap,” translation by Alexander Ulanov. The Russian Anthology of New American Poetry, eds. Vladimir Feshchenko and Ian Probstein. [Moscow: New Literary Review Publishing House, 2022. In Russian the publisher is Novoe Literaturnoe Obozrenie {NLO}
“Draft 95: Erg.” Con- ceptual isms: prose, poetry, visual, found, e- & hybrid writing as contemporary art. ed. Steven Tomasula. Tuscaloosa: University of Alabama Press, 2020: 201-206.
Resist Much, Obey Little: Inaugural Poems to the Resistance. Co-edited by Michael Boughn et al. Dispatches Edition and NY: Spuyten Duyvil Press, 2017: 158-160. (DuPlessis, selection from “Summer Poem.”)
Out of Everywhere 2: Linguistically Innovative Poetry by Women in North America and the UK. ed. Emily Critchley. London: Reality Street Editions, 2015: 96-105.
“Six Pieces.” Visual Text work. UNION. 15 Years of Drunken Boat / 50 Years of Writing from Singapore. ed. Alvin Pang and Ravi Shankar. Singapore: Ethos Books [Drunken Boat], 2015: 132-137.
“Draft 98: Canzone” and “Driven To Torque Texts: Appropriation and Dante.” “I’ll Drown My Book:” Conceptual Writing by Women. Laynie Browne, Vanessa Place, Caroline Bergvall, eds. Los Angeles: Les Figues Press, 2012: 340-347.
Two Poems in The Ecopoetry Anthology. Ann Fisher-Wirth and Laura-Gray
Street, eds. San Antonio, TX: Trinity University Press, 2013: 235-239.
“Nessie.” Poems from the Women’s Movement, ed. Honor Moore. N.Y.: The Library of America, 2009: 185.
Twelve “sonnets” from “Draft, unnumbered: Précis,” The Reality Street Book of Sonnets. Jeff Hilson, ed. Hastings, East Sussex: Reality Street Editions, 2008, 84-88.
“Draft 2: She” along with a selection of short poems from Tabula Rosa, in Not for Mothers Only: Contemporary Poems on Child-Getting and Child Rearing. Ed. Catherine Wagner and Rebecca Wolff. NY: Fence Books, 2007: 177-188.
Selections from “Crowbar,” from “Writing,” from “Draft 52: Midrash,” and “Draft 27: Athwart” along with an interview with RBD. In Innovative Women Poets: An Anthology of Contemporary Poetry and Interviews. Ed. Elisabeth A. Frost and Cynthia Hogue. Iowa City: University of Iowa Press, 2006: 93-120.
“Bozza 17; Senza nome” [Draft 17: Unnamed], trans. Renata Morresi and “Bozza 36: Centone” [Draft 36: Cento], trans. Sauro Fabi. Incontri transnazionali: Modernità, poesia, sperimentazione, polilinguismo, ed. Marina Camboni e Renata Morresi. Conference proceedings, Università di Macerata. Florence: Le Monnier, 2005: 228-247.
“Draft 48: Being Astonished.” “We Who ‘Love to Be Astonished’”: Experimental Women’s Writing and Performance Poetics, eds. Laura Hinton and Cynthia Hogue. Tuscaloosa: The University of Alabama Press, 2001: 237-254.
“Selvedge” and a section of “Writing” from Tabula Rosa (1987), “O” from “Draft X: Letters,” “Draft 5: Gap” and a selection from “Otherhow” from The Pink Guitar, in Moving Borders: Three Decades of Innovative Writing by Women, ed. Mary Margaret Sloan. Jersey City: Talisman House Press, 1998: 332341 and 580592.